Richa Chadda

Ep 3- Maine Pyaar Kiya – Khandaan Podcast

Asim, Sujoy, and Amrita, co-hosts of the Khandaan podcast, continue their Khan-journey with Maine Pyaar Kiya (MPK). This 1989 blockbuster romance is the movie we chose as Salman Khan’s debut feature despite his earlier ill-starred appearance as a supporting character in the Rekha-starrer Biwi Ho To Aisi (1988). (To read more about that experience as well as other fascinating bits of Salman’s history, we recommend this in-depth profile by Anna Vetticad.)

Directed by Sooraj Barjatya, one of the men who helped invent Bollywood as we know it today by inspiring seminal Bollywood filmmakers Aditya Chopra and Karan Johar, MPK is an all-out effort at portraying a young, modern love. In an ironic twist, the themes Barjatya establishes in this movie would soon be transformed into a template for conservative, even regressive, family-oriented “clean romance” in the popular imagination by the time it was remade as Hum Aapke Hain Kaun…! or the execrable Hum Saath Saath Hain.

The co-hosts agree that despite its dated appearance and quaint 1980s-ness, MPK is the best made film out of the three Khan debuts. Fueled by his determination to succeed, the Salman we meet in this film is a bundle of energy albeit with the same trademark mannerisms and sly charm we associate with him today. Bhagyashree, whose cinematic career ended with her marriage to a possessive husband, has a raw charm to her that vibes very well with Salman’s Dennis the Menace persona. Also evident in this film are the characters we know from all the subsequent Barjatya films – the understanding mother, the busy father, the father’s best friend, the servants who are as good as family members, the outsiders masquerading as friends but who only exist to destroy the family’s happiness…

MPK’s soundtrack was a sensation when it released with funky sounds, a modern feel, and soaring ballads that are still popular today. Few in the audience at the time realized just how “inspired” it was, however; in 2017, while re-watching the film, Asim’s wife wanted to know why he was listening to so much Stevie Wonder out of the blue.

Have a listen and let us know if you agree that when it comes to Bollywood, nothing matters but the Khandaan.

Our awesome theme song was created by mash up king Dj Shai Guy!

Follow him on Bombay Funkadelic Facebook page or twitter so you can attend his unforgettable Bollywood parties all around the UK as well as his awesome mash up mixes that are regularly featured on BBC Asia.

Note: We did have some audio issues in this episode for the first ten minutes but it’s smooth sailing after that.

You can listen/stream/download the episode below.

Or you can subscribe to our iTunes page and never miss a show

We would love it if you can rate or write us a small review on iTunes! Just click here.

 

Ep 2- Qayamat Se Qayamat Tak – Khandaan Podcast

Asim, Sujoy, and Amrita, co-hosts of the Khandaan podcast, begin their foray into all things Khan-related with Qayamat se Qayamat Tak (QSQT). Almost a relic of another era, this 1988 romance is the movie we chose as Aamir Khan’s debut feature despite his earlier appearances as a child star as well as his lead performance in the faux-art film Holi (1984).

Very little of Aamir as we know him today is seen in the fresh-faced hero of QSQT with his impish grin and shy glances at a delightfully effervescent Juhi Chawla (also making her debut). Directed by his cousin, Mansoor Khan, QSQT shows the youth of all those involved in the making of this film – in its tenderness, earnestness, conviction, and behind-the-scenes effort they put into crafting this the biggest success they could possibly imagine.

While neither Asim, Sujoy nor Amrita were old enough to be the target audience of this film (ahem! We are mere babies), we do have some memories of what a cultural phenomenon this movie became. It’s Romeo and Juliet undertones, the weird emphasis on caste, and the fact that the adults in this movie appear to be acting in a world far removed from the one inhabited by the sweet young love of its leads should make it a difficult watch but good filmmaking survives the years even when the material appears dated. QSQT remains a testament to Mansoor Khan’s talent.

It is also buoyed by one of the best soundtracks in Hindi cinema history, with beautiful hummable tunes by ace duo Anand Milind, one of the last of its kind. Maine Pyaar Kiya would soon replace it and surpass it in audience affection, but of all three debuts, QSQT’s is the soundtrack that has survived the test of time.

Have a listen and let us know if you agree that when it comes to Bollywood, nothing matters but the Khandaan.

Note: The Khandaan podcast is an interactive experience! Please click here to vote for our first official episode.

Our awesome theme song was created by mash up king Dj Shai Guy!

Follow him on Bombay Funkadelic Facebook page or twitter so you can attend his unforgettable Bollywood parties all around the UK as well as his awesome mash up mixes that are regularly featured on BBC Asia.

You can listen/stream/download the episode below.

Or you can subscribe to our iTunes page and never miss a show

We would love it if you can rate or write us a small review on iTunes! Just click here.

 

 

Gangs of Wasseypur’s World Premiere Opens to Packed Houses At 65th Cannes Film Festival

The movie we are licking our lips to watch like a cat looking at a goldfish in a bowl, with the bowl being the Cannes film festival is Anurag Kashyap’s Gangs Of Wasseypur. On a charming offensive since Girl With The Yellow Boots Anurag’s profile has steadily been increasing as a filmmaker to watch out for more so for the western audiences that weren’t aware of his excellent previous work.

Here are some shots from Cannes that we hadn’t posted yet and as well some of the press clippings:

 

 

“Today, Tuesday 23rd May saw eager crowds line the streets outside the world renowned JW Marriot for the exclusive world premiere of Gangs Of Wasseypur, the first mainstream Bollywood film to be selected for the Director’s Fortnight.  Onlookers screamed as the Belles of Bollywood sashayed down the red carpet and dazzled the fans with their jaw-dropping floor length gowns. Once again the supporters of the most highly anticipated Indian film of the 65th Cannes Film Festival proudly donned their statement red gamchchas as they took their seats in a fully packed 800 strong capacity screening.

Actresses Huma Quereshi, Richa Chadda and Reema Sen, and Bollywood’s only female music director, the 28 year old stunner Sneha Khanwalkar, were joined by the film’s acclaimed director Anurag Kashyap and the male leads in the film Manoj Bajpayee and Nawazuddin Siddiqui, known as two of India’s most critically acclaimed actors.

 

Gangs Of Wasseypur, a mainstream Indian film, combines clever filmmaking with a powerful, high-concept and entertaining plot, with revenge at its core. Accentuated by strong performances by a talented and eclectic cast comprising of Hindi cinemas finest, Manoj Bajpayee, Nawazuddin Siddiqui and Richa Chadda, the film is cleverly told in two parts. Gangs Of Wasseypur represents the brave new Indian cinema breaking the cliches and conventions, something which Anurag Kashyap has come to be known for. The film is presented by one of India’s leading integrated film companies, Viacom18 Motion Pictures and produced by AKFPL.”

 


If you haven’t checked out the awsome trailer for Gangs of WasserPur, then here it is again!

 


@asimburney

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