Rohit Shetty’s big release, Dilwale, is just over a week away so ShahRukh Khan, Kajol, Kriti Sanon and Varun Dhawan were in town for a press conference.
Upodcast had the change to sit down with Varun Dhawan and Kriti Sanon and ask the questions that only a nerdy podcast like ours dares ask. (Like debating which Star Wars character Kriti Sanon is Chewbacca or R2D2)
The video of our interview is below but the podcast gives you a bit more behind the scenes gossip as well as the 5 things we learnt segment which quite a few of you like listening to.
Do give us a shout or RT or like if you’re enjoying the interview!
Dilwale is a family entertainer with a perfect blend of action, romance and comedy. The film is produced by Red Chillies Entertainments in association with Rohit Shetty Productions. The film will release on December18th 2015.
After the Fan Teaser which was released last week, we now have the first look and teaser trailer of Raees. Shahrukh Khan’s collaboration with Rahul Dholakia whose not worked with any big canvas movies until now.Although the next movie SRK will be releasing is Rohit Shetty’s Dilwale, but like any Rohit Shetty starrer, it’s pretty much money in the bank, both Fan and Raees seem to be riskier propositions. (even if you wonder if having a movie star SRK is ever a risky proposition box office wise anymore)
I do wonder how great of an idea it is to release a trailer of an blackmarket alchohol selling muslim gangster on the most holiest days for Muslims especially when the portrayal of that community is so very skewed already.
But at least SRK makes a Shalwar Kameez and uncle glasses look good!
Raees Teaser | Shah Rukh Khan I Nawazuddin Siddiqui I Mahira Khan
Release: EID 2016
Directed by: Rahul Dholakia
Produced by: Ritesh Sidhwani, Gauri Khan and Farhan Akhtar
Written by: Rahul Dholakia, Harit Mehta, Ashish Vashi and Niraj Shukla
Director Of Photography: K.U. Mohanan
Lyrics: Javed Akhtar
Music: Ram Sampath
We’ve kept you waiting but finally our Chennai Express Upodcast Episode is finally ready! Shahrukh Khan, Deepika Padukone and Siddarth Roy were in town promoting their biggest Eid release which has also become the biggest box office earner in the history of Hindi Cinema.
How long it will be able to hold that position is another story with Dhoom 3 and Krish 3 (I refuse to learn how to write the title of this movie) releasing soon.
So being in the unique position of attending the Press Conference, the journalist round table as well as doing a 1-2-1 interview, we had so much content for our listeners, it took us a while to find the right format since none of us are genius editors as the listeners of our shows know too well.
If you want the Video interview head over to HeyUGuys by clicking here.
For all the other, Listen/Download/Share our chat with SRK and Deepika as well as our “5 things we learnt” by clicking below:
Rohit Shetty and Shahrukh Khan’s collaboration Chennai Express finally hits audiences with it’s first proper trailer and the result is an odd marriage of established tropes of both these brands.
We have SRK character named Rahul, who helps girls catch their trains, he runs a lot in slow motion and ends up with a bloodied mouth at what I’m guessing is the climactic battle of the movie.
Rohit Shetty on the other hand provides us with saccharine cinematography, car flips, a horrible soundtrack and everyone dangling from wires.
The oddest choice is to give heroine Deepika Padukone a very strong South Indian accent, I have to admit I did not see that coming.
On the one hand it’s interesting to see that it’s Deepika that’s providig the only bit of originality we can find in this trailer, she is at least trying something different and there is always a fine line between being humurous and being offensive.
The other surprise of the trailer is how much it is banking on the previous successes of Rohit Shetty rather than King Khan for this movie.
Our good friend FilmiGirl pointed out that Chennai Express is looking like the South Indian minstrel show to her on our Bollywood Mid Year Wrap Up UPodcast (going live tomorrow evening) and I’m not sure anything that the trailer shows us will prove her assumptions wrong.
But on the other hand both Rohit Shetty and Shahrukh Khan can’t be called subtle in anyway when it comes to humour.
This trailer definetly makes me want to watch the movie, which is a feat in itself when it comes to Shetty’s brand of cinema. Although it just seems odd that I won’t be getting an Eid release from that other Khan instead this year.
Here is the trailer and some posters. Let us know what you think in the comment section below:
Chennai Express is in theaters on th 8th of August
Akshay Kumar has officially jumped ships from Slap Stick Akshay to Action Akshay and donned his Khiladi tag again after 12 years (the horrible Khiladi 420).
Partnering up with Himesh Reshammiya we get the first teaser trailer for Khiladi 786 and it proves that Rohit Shetty must be an auteur as director Ashish R. Mohan (who was 2nd unit director for Rohit on many of his big hits) seems to have straight up lifted his visual esthetic of bright colors and wire fu.
This trailer does nothing for me and leaves me completely cold as the Son of Sardar trailer did previously even though it hits all the neo masala sweet spots of thundering hero entry, non-sensical one liners, punchy dialogues followed by a pause so the junta wolf whistles and packs tons of inconsequential action.
Quite a few people feel that the danger to currently reigning box office king Salman Khan is that he starts repeating himself, I feel this much more true for Akshay who even in this trailer seems like he’s having no fun at all and is just going through the motions. He just doesn’t look as fresh and good anymore even if we do see his trademark grin. Akshay has always been a tool more than a driver of his movies and he seems to just do what’s necessary but the passion seems gone.
The trailer is solely built on revisiting Rowdy Rathode’s success and doesn’t add much more (With RR which wasn’t that great of a movie in the first place). We don’t get to see Himesh Reshammiya or Asin yet, but obviously with this being just a teaser we will at certain point as well as the soundtrack which I am not really looking forward to, even if Himesh has done some good work in the past, it’s never been great has it?
The biggest problem with wire based action is if not used sparingly, is it looses all impact in a fight sequence, this was one of my major issues with Singham and I feel it’s an art that Bollywood hasn’t mastered as well as their Southern Indian brethren.The only segment of the action that does truly work is the spinning punch Akshay delivers that finishes in a martial arts stance. (As any kid coming back from Friday prayers know, a Shalwar Kameez is totally bad ass to train kung fu in)
Hey Guys, here are some media type questions that were asked to Abhishek Bachchan at a recent media Q&A as usual they are as generic and harmless like kitten wrapped in a silk blanket wathching day time TV.
The pictures are kinda sweet though. Check it out!
1. One can see from the photograph and trailers that there’s two of you in Bol Bachchan. That must have been fun?
If my memory serves right, this is actually my first ever double role. I have done films in which I have had one character donning various avatars, like I did in “Bunty Aur Babli” (2005), in which I played a con man. But “BB” is the first bona fide double role that I have done. It was a challenge.
2. Director Rohit Shetty has enjoyed huge commercial success. You have worked with him in his debut film Zameen (2003). What is the difference that you see in him since he directed you for the first time?
I think Rohit has become more confident now. He is as hard working and humble as he was when we were making Zameen. He is one of the most successful directors that we have in our industry and his track record speaks for itself. He is like a machine who works for like 20 hours a day.
3. Abhishek Bachchan or Abbas Ali – which character was more challenging?
Both Abhishek and Abbas Ali have unique characteristics. They couldn’t overlap in any which way. Keeping the divide was difficult as they are poles apart. They are not identical twins with similar traits and I have literally played two separate characters. If you must know, between Abhishek and Abbas, the most demanding was Rohit Shetty.
4. This is your second song with your dad after ‘Kajra re‘. Are you nervous at all around him?
It is weird, but dad is the one co-star with whom I have done the maximum work. We’ve done “Bunty Aur Babli”, “Sarkar”, “Kabhie Alvida Na Kehna”, “Sarkar Raj“, “Paa”, “Buddha Hoga Tera Baap”, “Jhoom Barabar Jhoom” and now this song in “BB”. Coming to the bit about my not being nervous around him – actually I was not nervous around him even when we did our first film together. It is every actor’s dream to work with Amitabh Bachchan. And dad’s greatest quality is that he puts you at ease. Being an actor and having the kind of experience he has on his side, he understands that for an actor to perform at his/her optimum, he has to be completely at ease. If there is any tension, an actor just folds up and closes in. He is aware that people get gobsmacked in front of him, so he goes out of his way to make them feel comfortable. He does it for the sake of the film. Also when he is shooting a song, he likes to have a lot of fun.
5. How would you define your style of comedy?
My style of comedy is more deadpan and straight-faced whereas the comedy that I did in the film was very demanding, as a lot of energy was required. We all had to keep our energy levels high all the time. It took me a week to adapt to Bol Bachchan. The first week of shooting was really tough for me. I came with a particular mind-set for the film and Rohit wanted something exactly opposite to it. I thought this will be the easiest film to do and it turned out to be the most difficult film of my career. It looks like a fun film and I thought it is a comedy film where I will enjoy, but I was proved completely wrong. I have told Ajay if the film does well he has to send me on a holiday (Laughs).
6. Ajay Devgn said that they literally had to groom you into their style of comedy. What was that experience like?
Ajay and Rohit taught me that there is a pitch behind every film and you have to match it. I cannot repeat my characters as it will not suit the script. My style of comedy was very different from what Bol Bachchan required me to do. The two literally made me unlearn what I already knew and adopt a different style of comedy, which was very difficult for me.
7. How are you doing post your accident on the sets of BOL BACHCHAN?
These things keep happening. I had a small accident…cut my eye and injured a finger. But I am okay now. All good!
8. On a scale of 1 to 10, how would you rate your performance in Bol Bachchan?
I’d give my final performance a five. I’m very harsh with myself 🙂
‘Bol Bachchan’ produced by Ajay Devgn Films and Shree Ashtavinayak LFS Infra Ltd and presented by Twentieth Century Fox hits screens on 6th July 2012
Very short post with some images we received from Bol Bachchan which releases on 6th of July and might be the first Rohit Shetty comedy we are actually looking forward to. And the main reason is the addition of Abhishek Bachchan in what looks likely to be a hilarious role! Bright colors, inane puns and wire fu Ahoy!
After the mega international success of blockbuster films Singham, Golmaal 3 and Golmaal 2, comedy maestro Rohit Shetty and Bollywood superstar Ajay Devgn, team up once again to create some spicy movie masala in the hilarious Bollywood comedy Bol Bachchan, and this time hearthrob Abhishek Bachchan comes along for the ride. The filmreleases on 6th July 2012 by Fox Star Studio. After the mega international success of blockbuster films Singham, Golmaal 3 and Golmaal 2, comedy maestro Rohit Shetty and Bollywood superstar Ajay Devgn, team up once again to create some spicy movie masala in the hilarious Bollywood comedy Bol Bachchan, and this time hearthrob Abhishek Bachchan comes along for the ride. The filmreleases on 6th July 2012 by Fox Star Studio.
With the release of Murder 2 and Singham, message boards and twitter timelines are rife with calling out movie makers as lazy thiefs and intellectual hacks. Bollywood has always had a rich tradition of playing fast in loose with it’s ‘inpirations’ so Upodcast decided to take on this subject head on with our unique view of the world of Hindi Film and music industry and accompanied by an esteemed panel of sharpshooter bloggers, we give you the discussion to end all discussions. Check out our take on Remakes, Adaptations and Straight Lifts in Bollywood! Read More
Bajirao Singham is an honest cop and darling of a small town, Shivgad, where his daddy is a rich merchant and crime seems to be very low as he keeps paying off every crime anyone does, maybe not the best of crime fighting techniques. Singham also helps out villagers with road side assistance when their carts get stuck in the mud and helps crippled kids win school races (what type of school would put a crippled kid in a race, is a question best not asked), while all the time wearing Aviators and having the cleanest police uniform in the history of Ariel. Before spending the first half of the movie romancing Kaavya (Kaajal Aggarwal known from the bonkers Magadheera making her Hindi Film Debut), he comes face to face with Jaikant Shikre(Prakash Raj), the usual thug/politician villain and part time comedian in a pretty awesomely shot pre-intermission scene in his local village. Not able to take the insult to his ego, Shikre pulls some strings to get Singham transferred to Goa, a city under his thumb. He “tortures” Singham by prank calls and having his henchmen play “doorbell ditch” which forces our eponymous hero to take his shirt off and unleash the lion within him. The Indian Police uniform has lions on it, so there are metaphors on kung fu wires in this movie as much as there are cars and goons flying around.
Although I have laid down the plot in quite a few details, it’s a story we know and can’t be spoilt. This movie in my mind is truly critic proof. You can point out problems with it but at the end of the day it does win you over. You rejoice when the hero thrashes the bad guy and clap when he roars his punchy dialogues against the villain. Taking box office out of the equation, a movie is effective when it succeeds in its intention and Singham truly does that. The best comparison I can make is actually the Transformers ( of which we reviewed part 3 on episode 30 of our podcast) series. Like Michael Bay, Rohit Shetty has an unbelievable eye for action and quite the visual flair but his comedic sensibilities and handling of the romantic track is low brow and juvenile. (And sometimes you do wonder if it’s written by this guy)
Director and longtime collaborator, Rohit Shetty (who also designed most of the action) uses a hell of a lot of wire work in his set pieces and most of it is truly heart pounding but he tends to go overboard quite a few times where cars and people are just flying around with no weight or consequence. There are moments where you just stop caring the third time Bajirao takes off his belt to whip villains. I admit, the first 2 times were awesome, the third even the villain seems bored and just talks through it.
I have never found wire work to be effectively done in Hindi Films ( I hold my heart for RA.One), it works when used as a punch line to action but not when the entirety of the action is built upon it. Unfortnately Rohit Shetty has a propensity for overusing it as demonstrated in pretty much every movie he has ever done as a director (Sunday, All The Best, Golmaal series) there are moments that it feels like a 5 year old bashing action figures against each other. Some scenes are bizarre choices that take you out of the movie especially the night sequences which are shot with green screen and a filter, and everything just seems brightly pastel colored which give the movie a fresh look but for tires my eyes after a while. I do see Rohit turning to 3D, I think he would be very effective. There are some underlying religious and nationalistic themes to the movie too which felt a bit heavy handed. (There’s that Michael Bay comparison again was…). I did really enjoy how hands on Rohit is in designing the action sequences as we see in the post credit sequence and he genuinely seems like a cool guy to hang out with unlike Bay who just seems like an twat.
Performance wise Ajay “Jazz hands” Devgan(I haven’t kept up with the latest version of the spelling of his name using numerology) in the titular role is amazing! One of the most consistent actors in the Hindi film industry (even more so than the Khans) he is back in an action packed role sans 90’s hair but mixed in with the comedic flair he has developed lately mostly by working with Rohit Shetty. The first half of the movie is full of comedy which is completely subjective if it works for you or not. Comedic sidekicks or villagers running away scared by a plastic mask are just not my thing but Ajay even performs well in those scenes. But he really comes into his own facing off with Prakash Raj or bashing goons and even in our screening the audience was close to clapping and whistling.
Kaajal Agarwal has a very perky appearance but unfortunately her character of Kaavya is the most vanilla of Hindi film love interests. She’s the annoying prankster in the first half and the motivator in the second. Even though Kaajal does well, I was groaning every time she would appear in the second half as I just did not want to get back to the corniness of the first. Someone does need to fire the wardrobe department as she’s wearing the same suit in a multitude of colors throughout the movie.
Prakash Raj has been playing the same bad guy in Wanted and Bbhuddah Hoga Tera Baap ( check out our special podcast) but he’s just so good at it, that I just love seeing him on screen. This time he gets a lot more screen time and amazing lines. And the balance he strikes between comedy and straight up menace even overshadows Ajay in some scenes. The Shikre vs Singham dialogue showdowns are truly the best part of the picture and are so well paced from the pre-intermission on wards that you are fully on board with the pace of the movie. Both actors get the chance to get the upper hand in sequences and especially Ajay Devgan is really great in underplaying when he needs to let Prakash’s charisma as a villain shine on screen.
The songs in Singham on the other hand are unforgiveably bad and even are shot uninspiringly.
Although I find the drums in the title song very rhythmic, the song works better as a background score then a fully-fledged play back song . However cool the Jazz hands are, the belt buckle shake from Dabanng trumps it. The other songs are completely forgettable and honestly I have forgotten them already… I just know they had Kaajal Agarwal and Ajay Devgan in them and they were dancing or riding a bike or something else romantic…
All in all Singham is straight up masala flick, nothing meta about it, no subversion of the genre like Dabanng was to certain extent. You need to watch this movie with your heart and whenever your brain starts thinking again, just wrestle it back to the ground or look at the pretty colors and carflipping or munch on some popcorn. Singham succeeds in what it sets out to do and if you want to have a good family friendly time (the action is completely bloodless) and some old school hero-giri, then it’s a total recommend.
Some Further thoughts:
I know Ganesh Acharya is not the most svelte of choreographers, but does he ever invent any dance steps that move more than 1 body part simultaneously?
The whole officer Kadam suicide track which serves as a catalyst just pops up and out when needed and his kid that’s supposed to play “the conscience” of the police force has the most morose face ever. Who in the production team is he related to?
Sonali Kulkarni is a joy to watch on screen and I’m glad to see her again, I can’t believe she is already relegated to aunty roles.
I had some real issues with the climax of the movie. I just don’t agree with police brutality and I feel it felt out of character for a straight laced, honest cop to out and out assassinate the villains. And you could totally flip around the roles and make the cop the villain and the hero the goon taking on a corrupt police force.
This movie is the bizarro version of Ajay Devgan’s “Gangaajal” directed by Prakash Jha, there is even a villain whipping scene which I felt was much more effective than the ones in Singham.