Follow and subscribe to Amrita’s new Youtube Book channel by going here!
Episode 52 of Khandaan: A Bollywood Podcast is a blast from the past – Aamir Khan’s past. 1990’s blockbuster DIL, co-starring Aamir and Madhuri Dixit with Saeed Jaffrey, Anupam Kher and a host of people you’ll recognize as That Guy from the 80s and 90s, is our Khan film of the week.
Asim, Sujoy and Amrita discuss whether director Indra Kumar’s debut feature holds any nostalgic value, Madhuri’s impact, and generally just how awful this movie is.
A Short Timeline:
04.55 – Irrfan Khan and Kareena Kapoor Khan’s ANGREZI MEDIUM and it’s two fun songs featuring Radhika Madan
16.25 – SANDEEP AUR PINKY FARAAR aka Film Starring Everybody on Aditya Chopra’s shitlist
25.03 – Sooryavanshi, the blockbuster for bigots
33.55 – Amrita saw a thing and so did the others: DEVI
38.30 – THAPPAD and its effect on the boys
49.35 – BAAGHI 3 starring Asim ka naya pyaar
1.01.13 – The Main Review: DIL
And now you can also listen to us on Hubhopper!
Episode 25 of the Khandaan podcast is also our last for the year 2018! Thank you for joining us this year as we made our way through the highs and lows of the three Khans of Bollywood. We hope to welcome 2019 with a few changes and some surprises but first, we need to wrap up this year.
As Sujoy is away exploring the New World, top friend Beth from BethLovesBollywood returns to the podcast to discuss the Khan movie of the hour: Zero.
Directed by Anand L. Rai and co-starring Khandaan faves Anushka Sharma and Katrina Kaif, this Shahrukh Khan film is already famous for the strong reactions it has elicited.
• 4m 15s A short rant about disrespecting women, especially Katrina Kaif
• 15m 35s Book Preview: Yeh Un Dinon Ki Baat Hai: Urdu Memoirs of Cinema Legends by Yassir Abbasi
• 20m 05s Manikarnika, starring Kangana Ranaut
• 31m 35s The Legend of Maula Jatt starring Mahira Khan and Fawad Khan
• 49.00min 2018 Year End Review (the Khandaani’s)
• 1h 32min The main feature: Zero
Join us in 2019 for more Khandaani movies!
The Most Powerful Pakistani Film
The philosophy and methodology of Maula Jatt: https://medium.com/the-outtake/understanding-the-most-powerful-pakistani-film-of-all-time-55c5c19d8a9d
The vote for Ep 26 is still open!
Head over to
Welcome to Episode 22 of the Khandaan podcast in which we welcome Dr. Sunny Singh, writer, academic, and co-founder of the UK’s Jhalak Prize for writers of color. Her latest book, Amitabh Bachchan, is now available from the BFI.
In this episode, we deviate slightly from the usual in that our main movie is one that just made its debut – Vijay Krishna Acharya’s unsanctioned take on Pirates of the Caribbean: YRF’s Thugs of Hindostan (2018) starring Aamir Khan, Amitabh Bachchan, Katrina Kaif, Fatima Sana Shaikh, and Mohammad Zeeshan Ayyub. Despite being universally panned within hours of its first screening by critics and audiences alike, in a true testament to our unique brand, we have successfully assembled a panel of viewers who managed to unironically enjoy this film (except Amrita, who in addition to being the resident wet blanket, also elected to go on holiday instead of making the trip to the theater).
Join us as we discuss whether this film is a worthy successor to the films of Manmohan Desai (Sunny), or Vijay Krishna Acharya belongs in the same bracket as Farah Khan and Shirish Kunder (Asim, batty as usual), something-something-yawn (Sujoy), and Aamir jokes that are too mean (even for Amrita).
We also discuss a few trailers – the already controversial Kedarnaath with Sushant Singh Rajput and Sara Ali Khan; 2.0 with Rajnikanth and Akshay Kumar; and, of course, Zero starring all who are dear to Asim. Keep a ear open for Sujoy as he tries to save his skin after Asim paints a large target on all of us.
If there are movies or guests you would like to see featured, do remember to drop us a line at email@example.com.
To Enter and win the Thugs Of Hindostan goodie bag, head over to Kenz Now
Dhoom 3, the third in the bikes- babes and abs series is poised to be the biggest blockbuster ever to have been made in Hindi Film history. But clocking in near 3 hours, does it deliver on the promise of a thrill ride?
FilmiGirl joins us for an in-depth discussion where we coin new phrases, philosophize about the possible subtext and dig deeper than any other review can as the podcast is spoiler free until the half waypoint.
Check out the latest Upodcast below and if you like it, subscribe or rate us in iTunes:
Dhoom 3’s trailer has arrived and finally gives us something to look forward to in 2013, even if the movie releases just before the year ends.
An established and massively succesfull franchise being spearheaded by one of the most bankable actors in India (not Uday Chopra) directed by Vijay Krishna Acharya (of the vastly underrated Tashan) and shot party in Chicago, is going to be break bank when it comes out at 20th of December.
2013 has been such a dreary year in terms of Hindi cinema. The box office earnings have been huge this summer, even setting some records but most of the movies have mostly been mid-budget and just lacking that masala fun at least viewers like me have been craving. During the half way point we had hoped things would improve especially around the end of the year with heavy hitters Krissh 3 and Dhoom 3.
But after seeing the uninspiring trailers for Krissh 3, all my hopes at least are pinned on Amir Khan.
Praise the lord that stupd bowler hat from the teaser isn’t what Amir is wearing throughout the movie, although wouldnt it be awesome if this was some sort of Rene Magritte reference and he wore an apple on his face to hide his identity?
Also, why does Yash Raj Film make Amir Khan recite cheap poetry evertime they work together?
I wonder if the bowler hat and this clown logo on Amir’s desk means there is a circus theme to Dhoom 3? Knowing Vijay Krishna Acharya’s previous work, this totally might be the case.
It’s been way too long that Abhishek Bachchan has been on screen! (I am sure Amitabh Bachchan and I agree on this)
Katrina Kaif + kartwheels= YAY!
This face! Just before the money shot!
Dhoom Dhoom Dhoom People!
Unfortunately this became legendary film director Yash Chopra’s final movie.
- So does Jab Tak Hai Jaan still weave that classic Yash Chopra magic?
- Does his cocktail of pathos laden, eternal love still work in todays Instant Noodle Age?
- Can ShahRukh still romance a tree?
- And can Katrina Kaif carry the mantle of legendary YRF heroines before her?
To talk about JTHJ some amazingly talented and well-spoken guest joins us, Daniel Pillai from Omni’s Bollywood Boulevard and WSJ India Real Time, Priya Joshi from Digital Spy who make their debut on Upodcast.
Let us know what you think of the show in the comment section below or drop us an email to Upodcasting@gmail.com
You can download/listen/ share below:
The trailer for the most looked forward to movie for the rest of the year is finally out after so much teasing and marketing strategizing. And when you finally watch it, you wonder, why didn’t they just show us the trailer straight away without all the ridiculous “We don’t have a title yet” strategy as the trailer really does stand on it’s own.
Lush visuals of Ladhak, the famous SRK arm stretch in London, a bubbly Anushka Sharma in booty shorts, Katrina Kaif playing the lover lost who you danced with in the rain in a bikini top laced over Shahrukh’s voice over of the poem written by producer Aditya Chopra that was released a couple of weeks ago with the poster, accompanied by the guitar of an AR Rahman soundtrack.
First some quick thoughts before I get into a bigger talking point:
- I think my eyeballs might pop out from all the beautiful images on screen and I don’t just mean the lovely ladies but the locations (London hasn’t shot so beautifully in ages and hey I live here), the Royal Enfield and Harley Davidson bikes, even SRK scruffy beard. (Not such a fan of the cut off gloves)
- Doesn’t that Free coffee sign behind Katrina Kaif ruin a bit of the visual? Even more so as the wafting of her hair feels like someone just opened the door to the local Starbucks.
- The trailer is pretty spoilerific: You can figure out much of the storyline with this trailer alone and especially the yearning way the Katrina shots are taken.
- I don’t want to see SRK wear a fedora. Fedora’s are for douches, period.
- I’m calling it now; this will be my favorite soundtrack of the year. No one does what AR Rahman can do musically, I will fight people if they claim differently
- Still not too sure about the poem itself, but this might be because of the horrible translations SRK was tweeting which made me unfollow him.
- Cool Guys don’t look at explosions indeed
I think I’ve cracked the ShahRukh Khan mystery to a certain degree after watching this trailer.
Like most of us he has 2 distinct sides to his personality. The first is the ambitious orphan underdog/outsider that came to Mumbai to chase the love of his live (Lets’ call him Scrapper ShahRukh) and the other is the guy that became the biggest superstar in the Indian Film Industry after a certain Big B (AKA Superstar SRK).
Scrapper ShahRukh takes chances, give us an abundance of emotions, can romance a tree and make us believe that his mom did actually say that there are 2 paths in life, one good and one bad, the bad one is easy, the good one is hard but the only right one. (Darr, Baazigar, Swades, Chak De India)
Superstar SRK on the other hand has grand ambitions as a producer is cockier, loves his action mixed with his own brand of smarmy charm and wants to create the biggest film and effects studio in India. (He also wears Fedora’s and makes gay security guards think he’s wearing a Prince Albert)
In the past few years Scrapper SRK didn’t want to get bogged down in Raj/Rahul roles and after loosing some of his long-term collaborators, his inherent competitive streak mutated to Hulk like proportions making him implode into Superstar SRK what seemed like a permanent transformations.
Even working with Karan Johar and to a certain degree Aditya Chopra, we end up getting disjointed movies that never find a compromise with that internal tug of war. (Rab Ne Banadi Jodi almost being a play by play of this theory)
When Superstar SRK takes over a project (as the superstars doesn’t star in movies but projects), he will include in the package a blitzkrieg media campaign; an oversaturation of “I am the best and the rest is shit” quotes, and promote the movie in every village, country, city and social media platform until he wears himself out physically and emotionally.
I strongly believe most people don’t like this Shahrukh. (not including fanboys and girls as they are crazy loons)
Only the relationship people that knew him from way back when (Farah Khan, Ashutosh Gowariker, Aziz Mirza, Juhi Chawla and Yash Chopra) can tap into Scrapper Shahrukh again and when he let’s go of the reins, cinematic magic happens.
All that to say, I’m really happy we seem to be getting scrapper Shahrukh as I’ve really missed him.
Movie is in UK theaters 13th of November.
Color us EXCITED.
Yash Raj Films (YRF) and Salman Khan finally come together for the first time under the direction of Kabir Khan to bring us the story of what happens when a RAW Agent called Tiger starts using his “heart” when he has been trained to use his “head”. As usual with our reviews we have a separate spoiler section below so does this Tiger miaow or roaarrr, find out below!
Bollywood has been going spy crazy lately, starting with Don 2 (although that wasn’t really a spy movie but it ripped off many ideas from it) followed by Agent Vinod and a medium budget heroine driven movie (that I won’t be mentioning by name as it would spoil a big reveal), now comes Ek Tha Tiger (ETT), which from the first teaser trailer got catapulted to our “most looked forward”-movies of 2012.
ETT succeeds where the likes of Agent Vinod failed, is it delivers a movie that works within Bollywood conventions (sometimes to it’s detriment) and by not having it’s head up it’s own ass. This is big budget, big screen movie making, people. Where every shot looks pristine like it’s been scrubbed with Dettol, all the way from the locations to the actor’s faces. The dancers dance in sync, the fights are epic and in YRF tradition, we travel around the world without giving ourselves a Turkish makeover.
There are moments that feel like a compromise made by either the director Kabir Khan (who has a background in documentary film making and almost makes us sense his distain for selling out), star Salman Khan (who does not want to unleash the success he has tasted in recent years from his jaws like he lost a bet to one of the other Khan’s (and production house Yash Raj Films (who just can’t seem to find a consistency in it’s success ratio) so is trying out everything they can, even working with a star that they had until now not considered YRF material and one that they clearly can not control in any way possible.
The movie is segmented in very clearly delineated chapters in the screenplay, each with a different mood, location and wardrobes that sometimes gel together and sometimes don’t.
We start of, in the greatest of James Bond tradition, with action packed prologue set in Northern Iraq, where Tiger needs to deal with a double agent who has been selling RAW secrets to the ISI but essentially this is just a teaser to the bad ass-dom of the central character and has no further baring to the rest of the plot, but it is some serious butt-kickery on a level we haven’t seen in Bollywood.
The movie really gets going when Tiger is then sent to Dublin (after cooking some daal for his boss and having a few drinks with him) and needs to shadow a nuclear scientist by posing as a writer where he meets and eventually falling in love with charming Zoya, part time dancer and part time caretaker of the professor.
The Dublin storyline is just the mcguffin to set up the romance in Ek Tha Tiger, playing off their real life chemistry between with Salman and Katrina which up until now hadn’t been harnessed on the big screen yet (neither in Maine Pyaar Kyun Kiya which was almost Katrina’s debut and neither Yuvraaj as Subhash Ghai lost his ability to make coherent movies back in the 80’s).
The back and forth dialogue feels so natural between both that you start wondering wonder how much was ad-libbed, references to Katrina’s pronunciation of the letter “dh” and her rabbit teeth seem to be very “Salman”.
What I really appreciated is that we go to see the sweet and charming Salman Khan again as we have to be honest that in Dabanng, Wanted and Ready he was playing kind of an a*hole. Salman seems to be having fun interacting with the local extras in every city he is in, from the hotel reception clerks in Dublin to the kids and old folks in Cuba. He is also genuinely funny again without having to play off his own persona or referencing Salman Khan the star. The humor is dryer without obvious punchlines followed by a deliberate pause. There are some wonderful visual gags that works really well especially the intercut scenes of previous adventures and mishaps of Tiger and some of the winking at the camera without having to break the 4th wall. And clearly Salman loved spending time with Katrina and how could you not?
Katrina Kaif has been so consistent in delivering roles that seem to fit her like a glove. Like Mere Brother Ki Dulhan or even Zindagi Na Milegi Dobara, I can’t see any other actress enacting the role of Zoya. The lady just has tons of screen presence and besides her bedazzling styling she brings such physicality to the role that other actresses like Priyanka (Don 2) and Deepika (Chandni Chowk To China) can only dream of.
I wouldn’t have minded seeing some more of that physicality in some key scenes (especially just before the interval). The problem she has is the characterization of Zoya is sometimes flaky, the screenplay never decides if she is a bad ass on the level of Tiger or a damsel in distress and that really does a disservice to Katrina.
The production values are top notch and ETT is beautifully framed, and truly feels global without feeling disjointed (unlike Don 2 and Agent Vinod which felt the need to globe hop for no reason) or giving a sense of déjà vu even though locations like Istanbul have recently been rediscovered and used in quite a few other movies (Game amongst other but maybe I’m the only one how saw that). YRF did a slightly better at the hiring non-Indian extras and background dancers job than that other foreign local gloss machine Dharma Films (who really scrape the bottom of the barrel, may I remind you of the drunk chapel scene in Ek Main Aur Ek Tu?).
The action set pieces are probably the highlight of the movie and they really pack multiple scissor kicks, the only problem I had was with the facial imaging effects they used on the Salman Khan Body Double were slightly jarring in the Dublin sequence, they weren’t as bad as some scenes in Krissh but when it comes to daylight shots, there is still some work to be done.
Another problem is the lack of central villain so we don’t get a final brawl although the climax does deliver in many other ways.
A bigger issue is that we never get a true motivation for why our romantic duo is being chased with such vigor, this could have easily been tweaked on a screenplay level but if you haven’t bought into the Tiger by then, you probably won’t.
Final Verdict: The Movie is GREEEEEAAAT (Could I leave you guys without a lame Tony The Tiger reference? – no, as that’s the kind of reviewer I am).
But lame jokes aside Ek Tha Tiger is a great summer blockbuster that is slightly loose around the edges but the performances of the main leads, the romance, production values, cinematography and action set pieces truly deliver and isn’t that really what we look for during the summer?
Although the trailer was great and built up the required buzz, it did spoil quite a few jokes and action set pieces, which is a shame as they lessen the impact within the movie, but maybe that’s my mistake for rewatching them a billion time in anticipation for the release.
Ranvir Shorey styles some amazing facial hair.
Was there a need for the other ISI agent beside Katrina? It would have easily sufficed having her go all Angelina Jolie on the audience although Salman fans would probably not appreciate her clobbering him like a ninja and stealing his phone.
This movie is riddled with gaping lot of plot holes (Salman even jumps over a few in Iraq) consider yourself warned.
The biggest compromises in ETT were made by director Kabir Khan. To the point that if you listen very carefully you can hear him gnashing his teeth in the back ground at very forced Salman Khan trademark shirt removal scene. The placing of the song “Mashallah” also feels like an after thought, although beautifully picturised, these all out populist conventions clearly make the director feel ill at ease and it shows.
For a moment during the tram sequence I thought Salman would go all Spiderman on us and stop the train with his bare hands.
The epilogue and voice over were completely redundant as was the reveal of Tiger’s real name, had even less impact than the whole Professor Kidwai scene.
Here is a write up we wrote for HeyUGuys so slightly adapting (adding the Jism 2 promo as you never have enough Sunnyshine in your life) and reposting since we already posted the Joker Trailer, but do head over to HeyUGuys if you want our thoughts in more detail.
Plus it’s another opportunity to gaze at those awesome Heroine posters!
Ek Tha Tiger New Song Promo: Banjaara
As I mentioned on twitter: “Can we just go ahead and give a nobel prize to who ever thought of putting Katrina Kaif in a kilt?” and a long slit black skirt…and a yellow and black hockey outfit (I know it’s not hockey but seriously what are you guys paying attention to??) In all seriousness, the promos are getting better and better and I can’t wait for Ek Tha Tiger!
Son Of Sardaar Trailer:
Not too hot about this one although I do like all the stars involved. I don’t know what it is. Maybe the boring voice over or just having seen Ajay Devgn fight bad guys hanging on a wire for what feels like decades. Also not too hot on the Sonakshi- Ajay pairing, maybe we need to see more to get me excited.
The thing I am super psyched about is seeing Juhi Chawla back on screen! Hai Allah, JUHI CHAWLA!
Jism 2: Dialogue Promos
If I have one pet peeve it’s really bad dubding, probably one of the reasons I never watched any pakistani movies. And although the voice of Sunny Leone was supposed to be Dubbed by director Pooja Bhatt herself, it doesnt seem to be the case in these promos, unless her accents has vastly improved since her movie career.
Randeep Hooda has the usual expression “Why Do I not get better movies”-expression on his face, the actors actors seem to have no idea what the vocab being used actually means which in the case of the wonderful Sunny Leone is probablyt the case. Still looking forward to this one but should stick to just listening to the pretty amazing soundtrack! Ali Azmat Woot Woot!
Trying her hardest to not make this movie still feel like the “one Aishwarya walked out” of Kareena Kapoor ,who we all have to admit is the bigger draw for audiences, looks absolutely ravishing on these first few posters. The trailer should be releasing any time now. Looks pretty, pretty, pretty good!
Let us know what you think about the posters and trailer in the comment section below!
We showed you some exclusive shots a couple of days ago( you can find the post by clicking here) and now the song itself has been released!
Check out a snippet from the much hyped Item song from BodyGuard starring of course Salman Khan flexing his muscles while wearing a fisherman’s cap and cut off denim shirt while 30 wet men are proclaiming him to be “sabse hot”! ( Not that there’s anything wrong with that). And we get a to see a bit of the beautiful Katrina Kaif bedazzling us with her smile in a recycled Sheila ki Jawaani Set. Check out the clip after the jump and enjoy!
The Soundtrack hasn’t really set the world on fire and this track is no different.
As the trailer for the movie showed, Bodyguard wants to fill in as many meta references to Salman Khan as possible as ride the gravy train to box office gold ( ie calling him “Bhaijaan”)
Is it me or is the choreography and the wardrobe very lazy? Did they run out of funding?
Fingers crossed that Bodyguars is more Wanted than Ready? (But I have to admit I’m worried that this might ne another Salman-Kareena misfire)
Let us know what you think of this new Item song in the comment section below!
You can follow more Bodyguars’ promo’s by subscribing to T-series Youtube Channel!
The buzz for Salman Khan–Kareena Kapoor starrer Bodyguard is on full swing! The trailers and song promo’s are out on all music channels. Now Upodcast has access to exclusive pictures of the Item Number with the wonderful Katrina Kaif stepping into her Sheila boots again. But there is another surprise appearance and that is Shera, Salman Khan’s Bodyguard for over a decade will also be getting his thumka on with Salman and Katrina. Check out these behind the scene images of the song being shot after the jump! Read More
I’ll lay my cards out on the table; I am a sucker for Excel Entertainments cinematic sensibilities (production team of Farhan Akthar and longtime collaborator Ritesh Sidwani). Pretty much every movie they have had their hand in has worked for me (except Karthik calling Karthik) and although I don’t run always run out to the theater to catch them at the day of release, whenever I do discover them, they truly are small gems to me. Zoya Akhtar‘s previous directorial venture “Luck By Chance” was a behind the scene glimpse in the world of the Hindi Film Industry, that sensitively portrayed the challenges of struggling to make your mark in life as in Bollywood and had tons of heart.
Although it didn’t light the box office on fire, it was one of my favorite movies of 2009. A much retweeted pun by comedian Mihir Fadnavis calling Zindagi Na Milegi Dobar, Chutiya nahi banega dobara (in the grand tradition of spoofing Bollywood names. There are quite a few good ones out there especially one for K3KG which I won’t be repeating here, google it) illustrates how the cinematic landscape in the Hindi Film cinema has changed since Excel’s maiden venture “Dil Chahta Hai“, a movie that has been named in the same breath as ZNMD (as well as Hangover and Bucket List) both comparisons that don’t really hold up in anyway. The hindi film geek/cinephile is alive and very vocal, he has seen movies of the past 2 decades and can use copy/paste functions to post the wittiest comments from the message boards of Reddif or the now defunct bastion of hindi film snarkiness Passion For Cinema.
On the one hand Hindi film cinema needs and wants to evolve, but on the other hands gets beaten down at every effort it tries to do so. Recent release Delhi Belly’s was a good example of this even though the movie was hugely successful, it was derided by traditionalists for its obscene use of language and potty humor and simultaneously mocked by film geeks for its inspiration and influence from British gangster flicks.
Like Dil Chahta hai, ZNMD does live within the yuppie world with slim ties and designer thick rimmed glasses (I am wearing mine whilst typing up this review). A perfect example of the new golden, shining India. A world I imagine the Akhtars feel at home. A world where everyone is an architects, poet, artist or financial brokers and lives in sleek monochrome apartments carrying rustic notepads if ever the moleskine stock has run out. Throughout the movie there are poems serving as serving as a leitmotif written by Farhan Akthar himself, if you feel you cannot connect with his poetry, I would suggest you walk out of the theater immediately as you will not connect with the message the filmmakers are trying to convey and you will leave theaters sorely disappointed.
ZNMD is a beautifully composed film that starts off in a fairy tale setting where we see slim tie, thick rimmed glasses wearing architect Kabir (Abhay Deol) proposing to his interior designer girlfriend of 6 months Natasha (Kalki). But before his wedding, he and his bwaoys – Imran (copywriter/poet played by producer, dialogue writer and brother of the director Farhan Akthar) and Arjun (broker, workaholic played by Hrithik Roshan stepping out of a GQ shoot) have to take a Mcguffin of a sport adventure road trip through Spain that will give them life lessons as well as some unbelievably scenic backdrop.
The movie focuses as much as possible on the growth and relationship of these boys becoming men. I have to admit I felt the cast was a bit old too still be unable to figure out simple life lessons which is surprising as the cast of Dil Chahta hai was probably older but I didn’t feel that way. From the offset we see the seeds being sown of the underlying tension between the wise cracking Imran who has some daddy issues and Arjun who only seems to be interested in making a future and not living in the now. Every character is finely sketched and given enough emotional background with the aid of some well-placed flashback sequences. (Hritiks flashback even gets a colored filter)
Surprisingly knowing that the movie is written by women (Zoya Akhtar and Reema Kagti) the female characters get the short shrift, not that women writers should be forced to write only fully developed female characters just because they are women. And even though the ladies in ZNMD are less well sketched out they still have their moments to shine. A good example of this is Kalki’s charater that was it not for the charming sing along in the car ride to the airport would pretty much be a one note jealous “chuddail”(witch) but the actress is so charming in her role that she brings more depth to the performance than is actually written in the screenplay. Katrina Kaif‘s Laila is basically playing the desi version of the manic pixie dream girl who serves to give guidance, life lessons and serve as the romantic counterpoint Arjun but you never quite understand where her cavalier attitude to life comes from or what her background actually is.
Except for the male bonding the true heart of ZNMD for me is the resuscitation of Arjun life and his return to humanity by deep sea diving instructor Laila.
I want to take some time to rave about Katrina Kaif, so you may skip this paragraph if this will annoy you or if you feel that the actress is just a pretty face that still needs to prove her acting prowess although she has done this many time already in my book. Dear God the lady just sparkles on screen. Our friend Filmigirl always speaks about the physicality that Katrina brings to her every role and I strongly believe that no one else could have pulled off the role of a diving instructor as Katrina has. She seems completely at ease underwater and there is no moment you don’t believe she hasn’t been diving, speaking Spanish or riding on Royal Enfields (my all time favorite bike) for years. Her cute accent works perfectly imparting wisdom and some clichéd Carpe Diem moments as well as just riffing and being one of the boys. Every shot she is in, she brings more light to the screen that then Spanish son and the moment she leaves, you can’t wait for her to come back. (Which she does eventually but in a weirdly edited finale)
Beside that together with Hrithik Roshan they probably are the best looking people in India at the moment.
Both actors have a very similar meticulousness to their performance which works really well and I hope we get to see these two teamed up together soon. He definitely seems to share more chemistry than with Priyanka in Krrissh but knowing Bollywood producers he probably will be teamed up with Priyanka or Deepika sooner that Katrina which is a shame. The whole deep sea dive sequence and quiet walk through the street of Spain sequence are perfectly played and quite touching.
Abhay deol playing the straight man is probably the opposite of these 2 performers and together with Farhan they have a cool, laid back demeanor and approach to acting. Each plays their part excellently although one wonder how much “acting” there is involved for them. And I understand Abhay hesitance to step into mainstream hindi films as he would need to work quite a bit on his singing and dancing, but I guess standing next to Hritik doesn’t do you any favors, but then I think of that scene in Wanted where Salman Khan danced next to Govinda and Prabu Deva… some people are actors and some are stars, but I don’t think Abhay wants to be a star in the conventional sense of the word so I guess it doesn’t matter.
Farhan is pretty much hilarious and had me laughing out loud throughout. But the moment he does need to deliver emotionally he does so with aplomb, like the touching scene with his Spanish Flame where they both communicate without speaking a common language is beautifully touching. He gets to play the clown with the sad eyes and he does so faultlessly.
The soundtrack of Zindagi Na Milegi Dobara is amazing and seeing it in the grandeur of the cinematography of in theaters just makes it perfect, actually I would say that this is a movie that will have a bigger impact on you if you watch it in theaters not only the visuals but also your emotional connection with the movie as you can’t get engaged if you are tweeting at the same time or getting drinks out of the fridge. Both “Senorita” and “Paint It Red” are so much fun to watch and especially as the entire cast seem to be having a blast. Many times you forget if they are actually being choreographed and filmed or just having fun.
All oft eh adventures sports are so exhilarating to watch. The deep sea dive is actually much better than anything shot in Anthony D’Souza’s “Blue” especially as there is emotional pay off that follows. The same goes for the sky jump and the run with the bulls of San Fermin.
All in all there wasn’t a scene in “Zindagi Na Milegi Dobara” that didn’t work for me, and I genuinely cracked up where needed and even got a lump in my throat a few times. I truly loved this movie and cant wait for what Zoya Akhtar will cook up next.
I have some more thoughts for the spoiler section but I am glad there is a place created for movies like ZNMD and it might not be “paisa vasool”/popcorn entertainment but we have enough of those coming soon. It definitely is a high quality cinema and that’s something we should all applaud.
I loved how Farhan underplayed the scene confronting his long lost dad, Naseeruddin Shah (who else could it have been?). It’s not easy playing off such a talented artist but I felt that the moment felt real.
The final shot of the Running with Bulls is perfect end to the movie especially the slow motion finals shots, I was hoping the movie would end even if I knew there were a few unresolved threads. Although some people in the theater seemed quite disappointed. (Don’t you just hate those people that shoot off a condescending comment just at the final shot and take away your chance to feel what you want to feel- unless it’s you that s making the comment, and then it’s hilarious and quite witty). But if you haven’t bought into the movie until then, I can understand you haven’t just be quiet and let others enjoy what they say. I think my tip works, if you haven’t connected with Imran poetic interludes, walk away immediately.
The reappearance of Katrina Kaif seemed a bit random and also anachronistic with the editing but her every scene is so sparkling and it leads to an extra shirtless shot of Hritik so I guess neither man or women should complaining.
The Wedding post credit sequence clearly inspired from a very well known Youtube video was although fun to watch was a bit unnecessary. It doesn’t make sense that all these people are still friends and especially it’s supposed to explain what happened to Kalki and Abhay’s track which is left open but you need you need to watch the end credits with a magnifying glass to figure out what happened. ( Is Natasha going out with one of the dudes from the start of the movie? I didn’t catch that part). I understand director decision to end the movie where she did by focusing on the boys and not the individual relationship, a choice not everyone might agree with. And we got to see Katrina Kaif dance in a white dress which was great. Have you figured out we like her quite a bit?
Here’s the trailer and my favorite track from the OST.
let us know what you thought of Zindagi Na Milegi Dobara on the comment section below!
- ZNMD team reaches Udaipur (katrinahot.wordpress.com)
NEW SEASON! And we are back from our short break, with an amazing Bollywood episode. This week Beth, FilmiGirl and I discuss the critics/fan reactions to the release of Farah Khan‘s Tees Maar Khan. We delve into many controversial topics and many feathers will get ruffled, so listen to the complete episode after the jump! Read More
Farah Khan’s comic caper has a lot riding on it. It’s Farah breaking out on her own, free from collaborations that were safe bets from within a comfort zone. In some way it’s a comeback for Akshay Kumar whose had a horrible year of releases. And it’s also Katrina Kaif strongest claim for the top Bollywood heroine slot. (if she doesnâ€™t already own it?)
A lot of question surround this movie but you forget about all of that within minutes when Tees Maar Khan theme song kicks in.
I’ll try my best not to spoil too much of the movie as I was fortunate enough to catch an early preview in London; but honestly speaking I could only spoil some of the comedic beats,not much of the plot.
It’s a pretty straight forward masala caper and most of the set up is in the trailers.
Tees Maar Khan urf Tabrez Mirza Khan ,the biggest con artist in the world, is hired to rob a train carrying an immense treasure for a set of conjoint twin â€œvillainsâ€. He also is a shameless plugger of his own name. There was maybe one too many reference to the title of the movie to my taste but all that is not important for what we get is easily one of the funniest and most entertaining entertainers of the year.
It’s what Housefulll wishes it was, what Action Replayy could never accomplish and what Golmaal lies in bed at night crying it could be one day.
First, I would suggest that if you have a chance, go and watch this movie on the big screen. Partly because it’s the kind of movie that is elevated with a participating audience and partly because it needs the big canvas so you can soak up all the gorgeousness in every shot.
I have a pretty good media set up at home but in no way could I understand the awesomeness of Sheila Ki Jawaani until I saw it today.
There were many discussions the previous weeks about which was the best item number of the year: Munni Badnaam Hui from Dabangg or Sheila Ki Jawaani.I am still not sure I have an answer for that question but what I can tell you is that there were moments in Sheila ki Jawaani that Katrina Kaif took the entire audience’s breath away.
It is EPIC and if I could, I would rewind it and watch it again. You might not be able to do that in a cinema (unless you’re Raja Babu) but what you do get in the theatre experience is the full force of Vishal- Shekar‘s â€œsaaandâ€ blaring through the speakers and every minute detail of Katrina’ s performance elevating the song to a whole new level.
In my opinion Katrina delivers the strongest female comedic performance since Kareena Kapoor in Jab We Met. She is hilarious in every scene as Anya Khan the wannabe Starlet/Item girl and I really hope people stop asking her to prove herself over and over again. I think she has been doing that in her recent roles and this is probably one of her bests.
When reviewing our best Bollywood soundtracks of 2010 (click here) we thought that the Tees Maar Khan OST was maybe not the greatest (I am still not convinced of the Sonu Nigam’s Chipmunk voices) but it could only be fully judged when seeing it picturized. And lo and behold I was humming the songs exiting the theatre and want to get my hands on the soundtrack as soon as I can.
Although Salman Khan’s cameo in Wallah Re Wallah is featured in the promos, it still manages to send a bolt of excitement through your spine.
The first half of the movie just breezes by and the second half has a bit of a slower start but manages to put in a lot more heart in the movie.
So now on to the Khiladi. See I’ve always been fond of Akshay Kumar (especially his work ethic and just plain sincerity) but somewhere his lovable loud mouthed buffoon shtick and those indistinguishable Priyadarshan comedies just turned me away from him.
A movie that I unashamedly loved back in the day was â€œMr. and Mrs. Khiladiâ€ ,probably not the most discerning of choices, I admit but Akshay was amazing in it. That’s the kind of Akshay we get here. he is again ahead of the world, a real hero character kids would want to emulate (those fluorescent Jersey Shore Shirts can be omitted) . Someone who is witty, funny and confident. I donâ€™t know if he ad-libs some of his lines in that throw away manner but it makes me crack up everytime and actually believe in Akshay as a leading man again.
Unfortunately for my non-hindi speakers the subtitles were not able to catch every joke thrown in but there are so many if you miss one you’ll surely catch the next one.
There are even â€œInception- likeâ€ levels of joke-within-a-joke which film geeks can play filmi-bingo with. I would suggest inventing a drinking game around it, someone catches a reference and everyone drinks. Even I jumped with joy seeing Anil Kapoor’s most iconic dance and the whole Master India sequence. (Boney for reals, can we get that Mr.India sequel already??)
But you can also just enjoy the movie just as a fun masala caper with great dances and and performances from the lead as well as the supporting cast (woohoo Avtaar Gill!!) and we even get the final sequence where the whole team apears.
Akshay Khanna is hilarious as the oscar obsessed Bollywood superstar, some will claim it’s inspired by Amir or Shahrukh but I donâ€™t see it really or at least nothing to create news stories about but I’m sure that won’ stop people.
There are certain moment that I did feel the ghost of Shahrukh Khan, who was rumoured as the main lead, loom over Tees Maar Khan. In some of Akshay’s hero poses, comedic repartÃ©s and even some of the choreography, you can can almost imagine what Shahrukh would have done with it. Even a few of the sets and dÃ©cors were eerily similar to Om Shanti Om. But although fun to speculate that’s just context with no real importance to the film.
All in all I think this movie is a great move for Farah, Shrish Kunder and her production company in developing her Manmohan desai style even further. I am truly looking forward to her next paisa vasool flick but until then: go watch Tees Maar Khan on the big screen NOW!
- “Making Of Sheila Ki Jawaani ,Tees Maar Khan” and related posts (thecurrentaffairs.com)
- “Sheela Ki Jawani an aesthetic item no: Farah Tees Maar Khan” and related posts (naachgaana.com)
- “Farah Khan: “SRK is just a call away”” and related posts (naachgaana.com)
- ‘Sheila ki Jawaani’ one of my raunchiest songs: Katrina (current.com)
- Katrina Kaif: How Bollywood fell in love with a British unknown (guardian.co.uk)
Farah Khan’s Akshay Kumar– Katrina Kaif starrer, Tees Maar Khan is closing in for a Christmas release and has quickly become the talk of the town altough maybe not for all the right reasons. To counter or fuel the PR machine the third promo featuring Salman Khan, basking in his post Dabanng glory, has just released. Check it out this mast qawalli number and our thoughts on some of the controversies surrounding Tees Maar Khan’s release after the jump! Read More
Here is the Voltron of all Bollywood Podcasts. Combining the powers of Beth from Bethlovesbollywood, Katherine from TotallyFilmi, Kara from Filmigirl and Bollyspice and a lone Asim sans his usual co-hosts, this bumper episode of Upodcast goes through the best and worst of 2010. No punches are held back and no performance is safe. we review the prominent releases of Bollywood give our take on Twitter Celebs, The Bikini issue and a look forward toÂ the rest of the year. Listen to this EPIC episode after the Jump! Read More
The Upodcast team is back after a long hiatus! For our season premiere we have a jam packed show for all you guys! And for this weeks Battle of the Remakes we are taking part in Govinda Week!
Check out the brand new episode after the jump!