Karan Johar

Karan Johar : “I don’t discriminate”- LSE India Forum Event Full report

Two people who pride themselves on being punctual, Karan Johar and Anupama Chopra, are running late for their discussion panel at the London School of Economics SU India Forum. It’s not a starry late entrance though – they simply didn’t know that one never makes plans in London without checking the number of obstacles the city will inevitably throw your way when you’re in a rush. On this lovely, sunny Saturday, an entire section of the London Tube has been closed for repairs and two separate, giant protests (one against the Trump state visit and the other against the systematic gutting of the NHS) have blocked traffic in all sorts of interesting ways. Johar finally makes it in about 15 minutes late, having taken a cab from Mayfair like a total noob; Chopra got as far as Trafalgar Square before the massive crowds persuaded her to just hoof it. Johar, mindful of the plane he needs to catch later in the evening, uses the 20 minutes before she arrives to field questions from the room.

The LIF is a yearly event but this is the first time they’ve held a pre-LIF discussion and one suspects it was because they had to accommodate Johar’s packed schedule. He is clearly a speaker that draws a crowd – 200 students bought out the tickets in nine minutes flat and quite a few older guests have inveigled an invite as well. In person, he is exactly as you have seen him on TV: average build, medium height, familiar smirk. I’m struck by his shoes because a) I’m so used to seeing him midshot on TV, I don’t remember having seen his feet before; and b) they’re a violent shade of neon silver sneakers that I’m sure are the pinnacle of some mysterious men’s fashion that is more attractive to men than women.

The crowd is entirely desi (I spied one white photographer) and the young women in the audience are all dolled up and ready for their shot: perfect makeup and long, straight hair, chic dresses that are entirely too flimsy for the weather. The young men are no less, clean cut and leaning intently forward as Johar speaks, nodding along to his bon mots and catty zingers alike, some sporting those high collared Nehru vests that are the last word in rising-Indian-politician chic. He says hello to someone’s mom, professes his love for La La Land and Ranbir Kapoor, announces that Bombay Talkies 2 is in the works (Zoya Akhtar has already finished filming her segment while he is yet to begin scripting his) and speaks of Dharma’s evolving digital plans. One of the first questions is from a Pakistani fan who wants to know if Johar will ever take a chance on a Pakistani actor again; he is witty and diplomatic as he deflects her with protestations of his own helpless progressivism and effusive praise of Fawad Khan’s talent. Another young woman wants to know his take on Saif Ali Khan’s homophobic witticisms on this season’s Koffee with Karan; a nervous Nehru-vest-clad student organizer pipes up thinly that personal questions are discouraged. “Was that personal?” Johar winks broadly at the roaring audience before choosing to answer by affirming Khan’s liberalism in his personal life.

Once Anupama Chopra arrives, they’re immediately off; the comfort of long familiarity evident by how easily they’re able to launch straight into deeply personal subjects. The talk is as wide ranging as any Karan Johar event based on the always fascinating subject of himself that you might have witnessed before, with Chopra referencing a chapter in Johar’s recent memoir, An Unsuitable Boy, where his mother ticks him off for being mediocre in every respect and how that went on to fuel his discovery of himself as the celebrity we recognize today. He is candid about only attending award shows that pay him to emcee, his fear of eventual and inevitable irrelevance, his love of Hindi film music, that entire scenes of Ae Dil Hai Mushkil have been adapted straight from his failed romances, and his desire to make a film that Chopra will love.

Things then took a turn: Chopra introduced a segment on pay parity in Hindi cinema, pointing out that while she understands the pay scale being pegged to a star’s ability to attract an audience, even newcomers are paid different rates according to gender. Johar immediately distances himself from such practices.

“When it comes to newcomers, I don’t discriminate. When I launched Varun (Dhawan), Sid (Malhotra) and Alia (Bhatt), they all got the same number. Why should there be any kind of disparity in remuneration?” he said to loud applause. “You guys make the men bigger stars. When the audience empowers the women more, I would love to pay Deepika Padukone more than I pay Ranbir Kapoor but the truth of the matter is he opens to a number solo and she opens to a number solo. We have six movie stars in India who’re all men and then we have a few women who are doing really well but they can’t match the numbers or get that opening. They can’t get the economics right – satellite, music, overseas, digital, theatrical. They can’t pull in the same numbers on any of them so there is this disparity.”

Chopra reminds him of Sonam Kapoor’s recent statement that her upcoming project with Kareena Kapoor, Veere di Wedding, was unable to generate a fraction of the funding given to a Varun Dhawan and John Abraham project.

“Because Varun Dhawan is a bigger movie star,” Johar said, flatly matter-of-fact.

Really?” Chopra said.

“Yes,” he said. “Seriously! He has an ABCD that opened to 14 crores. Neerja opened to 4 crores. Dhishoom opened to 11 crores. Sonam is an amazing beauty and a humongously talented girl but she cannot compare on the economics.”

Next came the controversial segment where Johar defended himself from Kangana Ranawat’s accusation on a recent episode of Koffee with Karan that he is the “flag bearer of nepotism” and part of the “movie mafia” that made her early years in the Mumbai film industry a nightmare.

“I just want to say, I’m glad she knows what it all means,” he began, a perfect (and perhaps unintended) callback to Ranawat’s point that Johar was one of those who mocked her relentlessly for her poor English when she first arrived in Mumbai. The crowd erupted in raucous cheers that turned variously into gasps and applause as he went on to list the number of directors with no prior industry links who have been employed by Dharma. Even if Ranawat was talking about actors, he said, the only two industry kids he has given a break to are Alia and Varun, neither of whom are related to him. As for being a member of the so-called movie mafia that excluded her, he said he couldn’t understand the charge – although he considers her to be an outstanding artist who is fully deserving of praise, when it comes to making his films, he felt entitled to his choice of cast.

“I am done with Kangana playing the woman card and the victim card,” he said, to noticeably louder cheers than his statement identifying her as a serious talent. “You cannot always be a victim who has this sad story to tell about being terrorized by this bad industry. Leave it. Who is forcing you to be here? Do something else.”

Later, as the evening came to a close, I overheard a couple seated behind me discussing how much they’d enjoyed the evening and Johar’s frankness. I came home and began to write this article, Googling to see if anyone had uploaded video of the event – and the very first link was the surprise announcement of Johar’s brand new fatherhood via surrogacy. The man had sat five feet from me at an event to discuss himself, interviewed by a woman who plainly felt no qualms asking him sensitive questions, and there hadn’t been so much as a hint of any such thing in the offing. In fact, it apparently came as a surprise to most of his acquaintance who’d attended a well-publicized singles party for Valentine’s Day at his home a mere seven days after his children were born. In hindsight, therefore, the entire event became a whole other exercise in studying how celebrities hide in plain sight and retain the ability to practice discretion when warranted, even in the media-saturated environment of 2017. Celebrity events are a dime a dozen but it is always a pleasure to attend a master class.

by Amrita Rajan.

You can find more of her work on her blog or follow her on twitter!

 

LIF is the first of its kind forum in the UK involving keynote speeches and panel discussions on major economic, political and cultural issues facing contemporary India. The conference serves as a platform for students and young professionals alike to engage with some of India’s leading industrialists, politicians, economists and popular culture icons.

This year, the forum has been segmented into two unique events – the next even will be

LIF – Saturday, 11th March: India – A Superpower in the Making?

 

Ae Dil Hai Mushkil Review Upodcast

After many troubles Ae Dil Hai Mushkil finally released this weekend and we’re joined by Anisha Jhaveri (@Jhavanis) writer for Indiewire, to talk about Karan Johar’s new movie starring the all star cast of Ranbir Kapoor, Anushka Sharma, Fawad Khan and Aishwarya Rai Bachchan.

We talk about:

  • Our expectations walking into a Karan Johar movie
  • Some alternative theories on how to view the ADHM
  • Deal with some of the major criticism the movies has faced
  • Is Ranbir Kapoor’s shtick getting old?
  • Is Anushka Sharma a new version of Geet from Jab We Met?
  • The wardrobe of ADHM: sneakers and red pocket liners on a pea coat
  • Was Aishwarya’s role over sold in the promos?
  • Aishwarya and Anushka straight out a magazine cover
  • Cameo’s of ADHM

Anisha’s review of Ae Dil Hai Mushkil can be found on Indiewire or you can follow her on twitter.

You can listen/download/stream the episode below.

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Rahat Ali Khan at the O2 Concert Review

Dressed in a golden embroidered jacket, sitting center stage on a bar stool and accompanied by a simple back up band, the heir of Pakistan’s qawwali legacy, Rahat Ali Khan performed before a sold out crowd at the London O2 arena for a special concert marking the celebration of Pakistan’s independence. The entire day was filled with cultural events, food buskers and Bollywood dance lessons just outside the concert venue where a diverse crowd of South Asian fans (and quit a few celebrities) enthusiastically took to their seats.

The concert commenced with what Rahat dubbed his “Love Songs”. But in the tradition of qawwali the “Love” can’t be distinguished between the love for a person or the love for God. There were many instances during the almost 3-hour concert, where devotion and emotion were indistinguishable for the performer as well as for the audience.From the first notes onward, the concert was an unending high consisting of goose bumps, musical elation, uncontrollable smiles and utter joy.The O2 - Rahat-145

Between the sets, Rahat had a surprisingly jovial back and forth with his audience, his respect for them and his art shining through every eloquently worded syllable, illustrating the fact that the singer’s poetic nature is not confined to his songs but also how he treats the people around him.

Although his recent popularity is partly due to his numerous Hindi movie soundtrack collaborations, his unmistakable talent and skill honed through decades of training is always accompanied by the clarity of Rahat’s voice and the Sufi tradition that power his songs.

The crowd erupts in roars as soon as they recognize the initial notes of hits like “Aas Paas hai Khuda” (Anjaani Anjaana) or the mere mention of Bollywood actress Madhuri Dixit, on who the song as “O Re Piya” (Aaja Nachle) was picturized. Both songs transcending the forgettable movies that they were in, becoming crowd favorites (as well as a personal favorites) and making us realize that whichever country we hail from, we share an on going obsession with Madhuri Dixit.

Closing the love block with the word “I have too many love songs” and the ever present smile, the musical maestro immediately kicks off his “Punjabi section” of the concert, or as Rahat told the crowd, the language in which you can call anyone, anything and they won’t mind it.

After a few more crowd pleasers like “Samjhawan” (Humpty Sharma Ki Dulhanya), Surili Ankhyon Wale (Veer), we head into the qawalli portion of the concert, which was essentially the Nusrat Fateh Ali Khan tribute section, Rahat’s mentor and legendary uncle.

During the intermission  all the performers even changed in more traditional qawalli gear like purple kurta’s and elegant sherwaani’s taking their place in the classic formation behind tabla’s and harmoniums.

The Nusrat Fateh Ali Khan songs have decades old connect with the audience and it is the closest the London Arena got to the rapture and hypnotism of a true qawalli performance in the streets of Lahore or Delhi.

The lazy argument critics always make about Rahat is that he can’t be compared to Nusrat’s talent. (Try it out, go to any Indian restaurant, and start a conversation about Rahat Ali Khan when a song comes on the radio and you will hear “Nusrat wali bhaat nahi hai usme“)

To Rahat’s own admission, he understood early in his career and made the conscious decision to not only focus on classical qawalli but foray into more popular tunes, usually adapted and re-performed for the larger audience whereas his uncle had the popularity hoisted upon him, and he never really felt comfortable in this new modern medium of “music videos”. It is a decision to be applauded as it shows reverence for what has been but a determination to reach people through today’s medium.

But it is also in these songs that the comparison between the Rahat Ali Khan being in the shadow of his uncle becomes clear.  If you have heard the original recordings of Nusrat you realize how incomparable his talent and command of qawalli truly was. And although Rahat comes close, like listening to a great cover band, there is a silent agreement between audience and performer that this is the closest we are able to get to the original, and for most of us, that is already better than any other musical performance we have attended in our life times.

After the qawalli high, we return to some more Bollywood songs of recent years and somewhere, suddenly they seem much simpler and almost child like to the previous compositions. The energy drops a little but the audience is very happy to see their personal favorites ticked of the list and performed live.

Rahat’s commitment and sincerity never fails though, as he croons his personal favorite “Ae Khuda” from Rocky Handsome, a song I have gone back and revisited after the concert and have truly started appreciating for how it stands out compared to more the paint by number hits like Bodyguard’s “Teri Meri” or “Tere Mast Mast do Nain” from Dabangg.

The concert closes with Jiya Dhalak, his big introduction to the Bollywood audience and Mast Qalander, his uncle’s greatest hit.

Rahat Ali Khan sang for us with only a small intermission for 3 hours straight with power, sincerity, keeping in mind what the audience asked from him but giving them much more than they needed. He gave them the memory of an unforgettable experience with a true musical master of the likes that appears only once in a lifetime.

Brothers Review Upodcast

This week’s episode FilmiGirl and Asim square off in the octagon to break down Karan Malhotra’s Akshay Kumar- Siddarth Malhotra starrer Brothers.

Although a massive success at the Box Office, Akshay Kumar movies tend to be critically derided, together we try to analyse why that is?

We compare how this Bollywood remake of Gavin ‘O Connor’s Warrior stacks up, if the trend of remaking Hollywood properties to Indian sensibilities is a reliable formula?

We also delve into if the movie is a successful follow up to Karan’s previous release, Agneepath that was one of our personal favourite movies of 2012.

Taking many tangents we wrap up the show by talking about the movies that Filmigirl missed this year and should catch up on as well as what else is coming out in Bolly-theaters this year.

You can listen/stream/ download the episode below. Or subscribe to our iTunes feed and never miss an episode!

Akshay Kumar Brothers Press Q&A

Why is this film important to you?

This movie is very close to my heart, it means a lot to me, especially because it is a movie about Martial Arts, which makes it even more important for me. The movie is releasing in August this year, which also co-incides with me completing 25 years in the film industry and it means so much to me that this happens to be a movie about Martial Arts commemorating the accomplishment of my 25 years, when it’s because of my martial arts background that got me into the film industry in the first place. We’re mliterally going full circles.

 

Could you please tell me more about the character you’re playing in “Brothers”?

My character is a school teacher who teaches Physics and Chemistry. He used to be Mixed Martial Artist who would fight on the streets for money. Mixed Martial Arts is a very dangerous profession and due to issues monetary issues, my character faces he has no choice but to go back to the streets to flight in a professional tournament.

How was your experience working with Karan Johar?

Karan is mainly in the production side for this movie so I don’t really get to work with him much. But he really knows how to make big and brilliant movies; he knows how to do it right and I’m just here to make him happy 🙂

 

Mixed Martial Arts sounds dangerous!

Yes, Mixed Martial Arts is a dangerous practice that could result in injuries and loss of life. Even during filming we would end up with abdominal injuries and smacks on our face but overall it was important for the role to look realistic and conditioning for us actors to make the movie as real as possible.

Desipte being a professional martial artists, I underwent vigorous training for six months to be fit for the role. But besides all the fighting, there’s also a poignant love story at the heart of the film which we find out later is the main reason why my character goes on to become a street MMA fighter.

What all was involved in the training for the role?

The main part of the training was a 6 month intense and gruelling work-out followed by practicing different fighting styles like Judo, Karate, Kyudo, Aikido and other Mixed Martial Arts.

What was the most challenging part of your role?

The most challenging part was fighting like a professional MMA fighter, learning from the best and then trying to catch up with their fighting techniques! But I thoroughly enjoyed it as my teachers are from everywhere around the world – from Brazil, LA, Bangkok and Japan – they are true MMA fighters. It was an honour to learn fromt the best.

As part of our training programme I had to lose upto 16 Kg’s and Sidharth Malhotra had to gain 13 Kg’s in weight!

Whilst fighting was a major physical challenge, we also had to face a lot of mental challenge. A very high level of mental attention is required to remember your punches and every move.

Wow that must have been a challenge! Do you ever take a break?

Hah, its been 25 years and I haven’t had a break J Jokes a part my international filming schedulre becomes a break for me. Its the best thing if your work is your passion in life. It makes me feel like I’m always on break.

How was it working with Sidharth Malhotra?

Sidharth is a very talented young man; he is very professional when it comes to work. Although he had no experience with MMA he did really well. He also went through 8 months of training.

Sidharth has a great future ahead of him. In Brothers he plays the character of a “man” unlike his ealier movies, where he’s mostly played young characters.

We had a great time on set. He’s a Punjabi, I am Punjabi and even our director Karan Malhotra is Punjabi! We spoke in Punjabi all the time to the degree the film should have been called Prah (Brothers in Punjabi). Haha.

Do you have some MMA tips or warnings for your fans out there?

Mixed Martial Arts is wonderful to watch, it is very parctical but dangerous at the same time. You have to be very careful when doing something like that. Watch and enjoy MMA, and if some people are thinking about doing it, they must be very careful and think about enrolling in training first, they must make a thoughtful decision before actually doing it.

There are lots of talks going on about the movie everywhere, you must’ve done an amazing job. Infact I was researching about the movie right before this interview and I found out that the movie is a remake of the movie “Warrior” by Gavin ‘O Connor and Cliff Dorfman, I believe you will put forward an amzaing performance, maybe better than the original?

Well that’s news to me but very humbling to hear. We have tried our level best to give the best performance we can. I wouldn’t really compare the two movies to be honest as we probably can’t make it better than the original but we gave it all we could. Let’s see what the audience says.

The movie has a wonderful cast, we also have an “item-number” performance by Kareena Kapoor. Sidarth Malhotra and Jackie Shroff also play lead roles.. Is there a love story somewhere in the story line?

Absolutely, there is a love story in the movie. I mean the movie is about street fighting, but there’s a reason to why the fighting happens in the first place which emenates from love. You will get to know that there’s a love story between Jacqueline Fernandez and I, there’s also a family related love story between Jackie Shroff and Sidharth and also between Shefali and I. The fighting comes later on in the movie, the film’s main emphasis is on it’s relationships.

Akshay, what’s your favourite genre of movies? I mean you’ve done many different types of roles in different movies, which one is your favourite? Is it comedy, drama or action?

I like comedy when its mixed with action, its just so much fun to do comedy with a bit of action, its fun to watch and also so much fun to do.

So the movie is releasing on the 14th of August this year, which is just one day prior to the Indian independence day, does the movie have a hidden message of patriotism or any message relating independence of India?

No, no, there’s no patriotic messages, the movie is not related to the independence day and it does not end with me waving a flag J

How has it been working with so many Karan’s in the movie? The director is Karan Malhotra and Karan Johar is producing the movie? Is there more Karan’s you’ll work with in the future?

Ha, no that’s just a co-incidence, it was not planned to be like that.

What are your next projects?

My focus is on the release of Brothers. After that I have Singh is Blinng coming out on the 2nd October and then Airlift in January 2016. In Singh is Blinng i play a larger than life character, something I haven’t done in a couple of years since Rowdy Rathore. My films have been pretty serious with Gabbar, Baby, Special 24. I’m really excited about Airlift as it is a story about Saddam Hussein’s attack on Kuwait.

What is your hope for Brothers?

I hope it brings in the mullah and gets the box office ringing whilst also gaining critical acclaim.

Your final message to your fans please!

I would just like to tell my fans how much it means to me to make a movie that they like. I really hope all my fans like Brothers. I would also like to tell them that the movie took about one whole year to make, we literally put our blood, sweat and tears into the making. The climax of the movie took about 52 days to shoot, just to get it perfect for the audience. All the fans across the globe should watch this movie on the big screen, watch it with your family and loved ones, do not watch pirated versions of it, we poured out our sweat and blood into this movie.

 

***

Synopsis:

Gary Fernandes (Jackie Shroff), a former alcoholic and street-fighter, returns home after serving a prison sentence of 10 long years to find that the wounds of the past still haunt his family. His two sons, David (Akshay Kumar) and Monty (Siddharth Malhotra), who had parted ways as kids, are grown men now, but are still bitterly estranged. Gary himself carries the burden of his guilt. His elder son, David is an ex-fighter turned school teacher.  He and his wife Jenny work hard to make ends meet and to provide the best they can for their ailing daughter Poopoo.

 

Troubled financial circumstances drive a desperate David to return to the world of street fighting. While, Monty struggles with his lonely complex existence. An alcoholic, he is active in the world of street fighting, but lacks focus and determination. He strongly yearns for the acceptance, love and respect of his family. As the story unfolds, we see the journey of these three men, as they seek to find redemption and healing.

 

Meanwhile, the arrival of ‘Right to Fight’ is announced in India — the biggest international event in mixed martial arts history. Both brothers, at the crossroads of their lives, end up enlisting to fight in this ‘Winner-takes-all’ event. And it is here after an age of estrangement, unknown to the two siblings, they finally stand to face off with each other and against their personal demons, in the ultimate final battle.

 

It is said, that when a deep injury is done to us, we can never recover until we forgive. With twists and turns, pouring emotions and edge-of-the-seat action, will this final battle between the two brothers repair old wounds?

Brothers releases internationally on 14th August 2015 through Fox Star StudiosIndia.

Karan Johar Press Interview Humpty Sharma Ki Dulhania

Karan Johar, brought in fresh faces for his latest rom-com (I think we can all be grateful he took a break from the Imran Khan – Kareena Kapoor combo).

Here is some of the press release:

Bollywood heartthrob Varun Dhawan (Student Of The Year, Main Tera Hero) plays hopeless romantic ‘Humpty Sharma’, an eternally optimistic young man, who is amiably searching for his ‘Dulhania’ (bride). Enter strong-willed, no nonsense Delhi girl ‘Kavya Pratap Singh’ (Alia Bhatt, Student Of The Year, Highway, 2 States). What ensues is a sweet and amusing story, as the ever simple loser in love ‘Humpty’ deploys every means at his disposal to convince ‘Kavya’ that he is her soul mate.

Humpty Sharma Ki Dulhania stars Bollywood’s new-kid-on-the-block Varun Dhawan, who made his successful debut with the breakthrough Dharma Productions film Student Of The Year along.Famed for playing the sentimentalist and also renowned for doing his own stunts, Varun is set yet again to show why he is one of Indian cinema’s rising stars in Humpty Sharma Ki Dulhania. With charisma and acting talent in abundance, the young actor has already won awards, including the Star Gold and Lions Gold awards, and has been nominated for several ‘newcomer’ accolades.

Bollywood sweetheart, Alia Bhatt, who also made her big-screen debut in the Karan Johar production Student of the Year and received widespread critical acclaim for her role in Highway and 2 States, convincingly plays the main female protagonist, sealing her position as one of Bollywood’s most sought after leading ladies.

Humpty Sharma Ki Dulhania is directed by debutant director Shashank Khaitan and is produced by award-winning film-maker Karan Johar.

Here is our favorite Koffee host answering some questions from the “press”.

Q:  Is ‘Humpty Sharma Ki Dulhania’ in any way related to the super hit ‘Dilwale Dulhania Le Jayenge’?

A:Our film (‘Humpty Sharma..) is an ode to ‘DDLJ’. One will see glimpses of ‘DDLJ’ but the love story is different from ‘DDLJ’. We have made this film with honesty, integrity (and) with an intention to entertain people.

Q: As a person you seem to be very happy & make a lot of people laugh, but most of your movies make people cry. Why is that?

A: I love crying and to me, cinema crying is very cathartic. I remember when I watched The Namesake with Mr Bachchan. All my pent-up emotions of losing my dad came out, even though, thematically, it had nothing to do with losing a parent. But something triggered an emotion and I just remember weeping. The second time I cried was while watching Taare Zameen Par as I was in boarding school for four days, that too, in the same one shown in the film. I remember my parents leaving me behind there. Seeing the film, I think Niagara Falls had begun and I wept and wept and I called Aamir after the show. The first film I cried was in Ankhiyon Ke Jharokhon Se. I was eight years old and was bawling at the end of it. My mother kept explaining to me how that was not real, but that didn’t stop me from crying.

 

Q: What attracted you to ‘Humpty Sharma Ki Dulhania’?Karan Johar

A:I really liked the script and I found it very funny. I also loved the fact that the classic ‘boy-meets-girl’ tale has been made into a unique and quirky youth drama for the modern generation.

 

Q: Alia Bhatt is often being compared to Kareena Kapoor. What is your opinion on the two Bollywood divas?

A:There is only one Kareena Kapoor – I am not only a huge fan of her work but I value her as a friend too. Kareena and Alia are two different people. Kareena has been in the Bollywood industry for a long time now; she has created a tremendous niche for herself and set a bar so high that it’s unfair to compare her with Alia. Alia is charming in her own way and I am sure she will make her own space. You just have to give her some time.

 

Q: You have launched quite a few newcomers to Bollywood – do you think it is much easier being launched rather that doing everything on your own?

A: It is definitely difficult for them. Even though they are very young they have seen pretty much everything now – they have seen success, failure, insecurity and anxiety up, close and personal. They have seen too much that can eat into them. The basic perception is that it is easy, but it is really not. They have a point to prove… there are so many expectations from them. I think film fraternity and star kids have it tougher.

Humpty Sharma Ki Dulhania, releases on 11th July 2014

Karan Johar and the cast of Student Of the Year Upodcast Interview

For the promotion of Student of the year, Karan Johar accompanied by Sid Malhotra,Varun Dhawan and Alia Bhatt flew over to London to talk to the UK press and Upodcast was invited.

If you have ever seen a full press conference it’s pretty hard to get a non rehearsed answer out of the celebrities especially so if they have the quick wit and verbal prowess of Karan Johar, nevertheless we had a 1 one 1 interview where we could ask a few more personal questions.

Student of the Year is in theaters from today and I hope you enjoy our interview with Karan and the rest of the cast.

 

Listen or download below or subscribe to Upodcast in iTunes and never miss a show!

 

@asimburney

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Karan Johar and the cast of Student of the Year Upodcast Interview

For the promotion of Student of the year, Karan Johar accompanied by Sid Malhotra,Varun Dhawan and Alia Bhatt flew over to London to talk to the UK press and Upodcast was invited.

If you have ever seen a full press conference it’s pretty hard to get a non rehearsed answer out of the celebrities especially so if they have the quick wit and verbal prowess of Karan Johar, nevertheless we had a 1 one 1 interview where we could ask a few more personal questions.

Student of the Year is in theaters from today and I hope you enjoy our interview with Karan and the rest of the cast.

 

Listen or download below or subscribe to Upodcast in iTunes and never miss a show!

 

@asimburney

 

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