Well well, it’s been quite some week, batting illness and the effects of an insane partying weekend in Sweden. However, here I am for another little shout from my soapbox. And in some ways, last weekend shapes the nature of the blog / rant this week.
American TV (see Friday rants passim) is currently held to be in somewhat of a golden age and generally speaking I have to agree, despite my protestations to the contrary. There is in my mind no doubting the sheer quality of a number of shows, from The Sopranos to The Wire, from Scrubs to Six Feet Under. But rather than focus on shows that I find to be merely crap and then tell you all that American TV ain’t all that good, I thought I’d draw your attention to something Anglo-Swedish – just to show that Europe still has a trick or two up its sleeve.
You may or may not have heard of Wallander, a Swedish detective show featuring Kurt Wallander as the lead role. Now, if you haven’t seen this programme, I’ll be honest; it’s a little bleak and a little dark, but then reality is little bit bleak and a little bit dark, so we shouldn’t complain greatly. First shown on UK screens in 2009, it accompanied the BBC remake of the same show. Fair enough you might say: a good cop show deserves a mention. But what is more interesting is not that the source material is good, but that the BBC has remade it for Brits in quite an interesting way. Rather than simply transplanting the show lock, stock into England and rather predictably London; the production – starring Kenneth Brannagh as Wallander – leaves the show in Sweden, with a host of good quality, jobbing British actors and a smattering of Swedish acting talent too.
The joy of this comes not only from it seeming more like the original, but at the same time in doing so (leaving the show set in Sweden) lends a far greater sense of originality (somewhat oddly). The remake by the Beeb succeeds where, alas, other remakes (UK version of CSI anyone?) fail in that the photography and feel of the original are maintained and we are allowed to see the lead character in situation as intended. BBC 4, you have once again done us proud.
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